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Selasa, 21 September 2010

Download PDF Star Wars after Lucas: A Critical Guide to the Future of the Galaxy

Download PDF Star Wars after Lucas: A Critical Guide to the Future of the Galaxy

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Star Wars after Lucas: A Critical Guide to the Future of the Galaxy

Star Wars after Lucas: A Critical Guide to the Future of the Galaxy


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Star Wars after Lucas: A Critical Guide to the Future of the Galaxy

Review

"Star Wars is almost too big a subject for any one mind to grasp, but Dan Golding’s look at how the franchise maintains its nostalgic glow in the Disney era stays on target, excavating the unique combination of art and commerce that holds Star Wars together."—Adam Rogers, deputy editor of Wired and author of Proof: The Science of Booze "Star Wars after Lucas is a useful and welcome review of the past four decades of Star Wars, as well as the strategies that corporations are increasingly adopting in order to perpetuate franchises. In particular, Dan Golding aptly describes Lucasfilm's struggles to balance nostalgic appeals with a growing commitment to diversity and inclusivity." —A. D. Jameson, author of I Find Your Lack of Faith Disturbing: Star Wars and the Triumph of Geek Culture "Dan Golding’s wonderful book strikes a perfect balance between criticism and knowledgeable fandom. Approaching Disney-era Star Wars, his writing provides important insights into the workings of nostalgia culture, transmedia storytelling, and the power of transnational media industries in the age of global capitalism. His readings of individual Star Wars texts are thoughtful, nuanced, and theoretically informed, while at the same time relating them back to the complexities of branding, cross-platform marketing, and global entertainment franchising. Star Wars after Lucas is essential reading for anyone with an interest in media franchising, globalization, media industries, and entertainment in the Disney era." —Dan Hassler-Forest, coeditor of Star Wars and the History of Transmedia Storytelling

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About the Author

Dan Golding is lecturer in media and communications at the Swinburne University of Technology and an award-winning writer with more than two hundred international publications. He is cohost of the Australian Broadcasting Corporation TV show What Is Music and the producer of the soundtrack to Push Me Pull You. He is coauthor of Game Changers: From Minecraft to Misogyny, the Fight for the Future of Videogames and has written for popular and web-based publications such as Kotaku, Buzzfeed, The Guardian, IGN, and The Conversation.

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Product details

Hardcover: 256 pages

Publisher: Univ Of Minnesota Press; Critical edition (April 9, 2019)

Language: English

ISBN-10: 1517905427

ISBN-13: 978-1517905422

Product Dimensions:

5.5 x 1.5 x 8.5 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#563,654 in Books (See Top 100 in Books)

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Sabtu, 11 September 2010

Free Download Complete Letters (Oxford World's Classics)

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Complete Letters (Oxford World's Classics)

Complete Letters (Oxford World's Classics)


Complete Letters (Oxford World's Classics)


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Complete Letters (Oxford World's Classics)

About the Author

Peter Walsh is best known for his work on Livy and has produced editions and critical books on the author. For OWC he has translated Apuleius, The Golden Ass, Petronius, Satyricon, and Cicero, Nature of the Gods and On Obligations.

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Product details

Series: Oxford World's Classics

Paperback: 432 pages

Publisher: Oxford University Press; 1 edition (June 15, 2009)

Language: English

ISBN-10: 9780199538942

ISBN-13: 978-0199538942

ASIN: 0199538948

Product Dimensions:

7.6 x 0.8 x 5 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#506,918 in Books (See Top 100 in Books)

I got most of the context and really enjoyed what I understood. There were a few times where I could have used a bit more background. It made ancient Rome seem much more contemporary.

This book is compiled nicely, and without wordiness which can make studies of ancient Rome dull. Watch for the addressees of Pliny's letters to learn more about the interaction of Rome's movers and shakers. Read and then reread as you will have missed details if you go too fast!

Once you place yourself into the time period, work the language, fact is better than fiction. Such amazing times!

As I write, I am delighting in Pliny's superb capacity for friendship and his ability to massage his relationships at a distance, frequently to his own advantage. I'm afraid the e-mail and text messages of today don't resonate in the same way.

A collection of letters from about 1900 years ago might be dusty, out of date and a mere curiosity, but the letters of Pliny are far from this. I am no latinist and know little of ancient Rome, so it was a delight to find such an approachable translation. The freshness of the letters surprises me. The things that exercised Pliny are very similar to those that concern us now. Political infighting, intrigue, character assassination, banishment and death over those things so familiar to us: theft, nepotism and the kind of cynical respectable corruption where the rich amass more at the expense of the less wealthy. Pliny seems to me to be at his best when he loses his consciousness of self and tells the story of his trials, his successes and his failures. He was clever and conscientious and a Good Man, but what a peacock! Pliny's arch references to his abilities and his sensitivity to the good opinion of others is amusing and more than a little embarrassing. I suppose we all have friends like that whose company we seek out until they speak of themselves.I was left with the strong impression that life in Ancient Rome was far more like our own than ever I imagined it to be. The details of life were different but the principles were much the same. Romans had the same civic concerns as we do now, but failure then was a more serious business. Exile, confiscation of estates, a requirement to commit suicide and judicial or illegal death were the lot of those who judged it wrong.Things were different, and I'm glad (and perhaps relieved) that my life is not forfeit should I choose wrong, but these letters give us much insight into a world 1900 years older than their writer. Perhaps Pliny was not outstanding at all of this in Ancient Rome, but he wrote and it is he we know when others are forgotten.I'd recommend this book to anyone with an interest in human nature.

Pliny's letters are often read for their surface message, which appears to be about the routine life of a Roman bureaucrat. However, a closer read reveals that these letters are rich in puzzles and enigmas. Very intriguing.

This item was sent as a gift and was very well received. It arrived in good time and was reasonably priced.

Pliny saw himself as a writer and you can see that in his carefully thought-out pleasing phrases and sentences. This was a delightful read, with much that is quotable. You have to wait until the end of the book to see the breezy Roman way he makes the decision to execute a couple of Christian women. Kind of makes you cringe. Interestingly, Pliny pleads his ignorance about Christians but that doesn't stop him from executing them. Maybe with our bigoted press and world opinion turning negative toward Christians it could happen today.

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Free PDF Learn to Paint People Quickly (Learn Quickly)

Free PDF Learn to Paint People Quickly (Learn Quickly)

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Learn to Paint People Quickly (Learn Quickly)

Learn to Paint People Quickly (Learn Quickly)


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Learn to Paint People Quickly (Learn Quickly)

About the Author

Hazel Soan is a popular and successful artist who divides her time between London and Cape Town, exhibiting her work widely. She has her own gallery in Fulham, London; is the author of eight bestselling books for HarperCollins; and has made several successful DVDs. Hazel was one of the art experts in the popular Channel 4 TV series Watercolour Challenge. Her successful books include Learn Oils Quickly, Learn Watercolour Quickly, Essence of Watercolour, and Watercolour Rainbow (all published by Batsford).

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Product details

Series: Learn Quickly

Hardcover: 112 pages

Publisher: Batsford (March 7, 2017)

Language: English

ISBN-10: 184994394X

ISBN-13: 978-1849943949

Product Dimensions:

7.8 x 0.5 x 6 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

57 customer reviews

Amazon Best Sellers Rank:

#23,824 in Books (See Top 100 in Books)

Totally misleading title and back-of-book description: is not a book of instructions. This is a book where the author discusses what she did to make her people look the way they do. Some food for thought but quickly becomes a sort of put-down to the reader given the self promotion. Contains no lessons and the two demonstrations are vague. Although inexpensive, you won't look at it twice.

I love both her paintings and her videos and she definitely has an enthusiasm for watercolor art that is contagious. This very short book however was a little disappointing. It has nice samples of her art, mostly lifted from her other books, but not much information on how to do what she can do.. I like looking at her art and will do that often but when I need help painting figures, I think I might need to look to some other artists for help.

Am disappointed with the book. I adore Hazel Soan (I have most of her books and DVDs) but this book is more descriptive than user friendly. It is not instructive, but rather more theoretical than her other books. Will return if I can.

This is a very helpful little book for those who like to include figures in quick sketches, drawings, or paintings. It is not a beginner's how-to book with step by step instructions, but more of a compact digest of the things you need to be aware of when drawing or painting people. In that respect it is excellent and I it is one of the better art books I own. The discussions of perspective and posture are of great value because this is where so may go astray, i.e., rigid and unnatural figures. I did knock off one star though, because of the page on facial proportions (p 24). The shadow notes are good, but her relating the eyes and nose positions to the top and bottom of the ear is ill founded. The ear is always located in relation to the facial features and never vice versa. When the head is tilted even slightly forward or backward the ear will appear higher or lower in relation to the nose and eyes and is never used to position those facial features. Perhaps she did not intend it to read that way, and it is only a minor point that anyone with basic facial drawing experience will disregard.

Mostly paintings by the artist and the colors she used in the various mediums. Some general instructions with reference to her paintings a but not the how-to examples I was looking for.If you're looking for a how-to book, there are many others out there that are better.

NOT a how-to as the title indicates. It’s a shame actually because if you know how to draw people you wouldn’t need this book to paint them. And, if you don’t know how to draw people this wouldn’t be your book to learn to paint them either. Author gives brief information on proportion, pose and lighting. It’s is aesthetically pleasing, though.

Very good work, enabling the experienced artist to add convincing crowd and individual scenes. I think it's a bit advanced, and would have liked to see simpler drawing methods... maybe like "The Carrot?" It is well put together and will be useful to all, sooner or later.

Pithy writing, which is what we want in a 'how-to' book. Tons of examples of different ages, cultures, activities and also from different perspectives. I particularly liked the pages about looking down on a crowd of people and drawing or painting from that perspective.

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Kamis, 02 September 2010

Download The Sixth Extinction: An Unnatural History

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The Sixth Extinction: An Unnatural History

Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 9 hours and 59 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Simon & Schuster Audio

Audible.com Release Date: February 11, 2014

Whispersync for Voice: Ready

Language: English, English

ASIN: B00FZ45FB0

Amazon Best Sellers Rank:

Received a reader's copy through the Amazon Vine program. I had read Kolbert's earlier book, Field Notes from a Catastrophe, which is still among my top most-important-to-have-read books. The Sixth Extinction is a marvel in that Kolbert lays out the most convincing and sometimes heartbreaking evidence that man has caused (the great auk) and continues to drive extinctions. But she maintains a tone that is even and not polemical. Kolbert will never have to wonder about the value of her life and endeavors. Here she is tackling the most important issue of our time, by bringing it close, making it palpable. This is a fast and compelling read, a must read, and would be an excellent choice for a book club. I wish every high school student would read it too.

Yes, human-caused extinction is upon us in full force. As science journalist extraordinaire Elizabeth Kolbert tells it, we humans have been killing whatever we could whenever we could since the beginning of our tenure here on earth. First the mastodons, the giant sloths, the great flightless birds, the woolly rhino, then the whales, the gorillas, the tigers, the buffalo, etc. The first cause was ignorance. Primitive humans just didn’t know that they were destroying the source of their subsistence until they had to move on. Today we know the truth.And that truth is there is nowhere to move on to. This book is a detailed and fascinating delineation of just what we are doing to the planet and how. From the fishes in the sea to the polar bears on the ice: all fall down. Why? Willful ignorance, stupidity, and the devil take tomorrow.(But it might be said, so what if we kill off all sorts of creatures great and small? We don’t need them. We have our pigs and cows and chickens. We grow corn and soy. Yes, the little foxes are cute and the lions magnificent. But we have zoos and preserves. After you’ve seen a few elephants you don’t need to see vast herds of them.)This is the view of many people in high places in government and at the helms of giant corporations whose main concern is staying in power and improving the bottom line. But here’s the rub: with the extraordinary rate of the current extinction what we might be left with is nearly sterile oceans, stunted scrub forests, destroyed ecologies and starving humans at one another’s throats. Combine that with global warming and desperate leaders flinging nuclear bombs around, and yes, Chicken Little, the sky is falling.Okay, rant over with. Let me say a few things about this splendid book that is so readable and so full of information, humor and the kind of passion that lights up the pages. Kolbert combines research, interviews and fieldwork into a very readable, vivid and informative narrative that is so good that…well, she won the Pulitzer Prize for this book in 2015.Some notes and quotes:“The reason this book is being written by a hairy biped, rather than a scaly one, has more to do with dinosaurian misfortune than with any particular mammalian virtue.” (p. 91)“Warming today is taking place at least ten times faster than it did at the end of the last glaciation, and at the end of those glaciations that preceded it. To keep up, organisms will have to migrate, or otherwise adapt, at least ten times more quickly.” (p. 162)Kolbert notes that during the Pleistocene (2.5 million years ago to about 11,700 years ago) “…temperatures were significantly lower than they are now…,” mainly because the glacial periods tended to be longer than the interglacial periods. What this means is that most life forms are probably not going to be able to deal with the heat “...since temperatures never got much warmer than they are right now.” In other words, we are experiencing an accelerated catastrophe. (p.171)Kolbert describes the red-legged honeycreeper as “the most beautiful bird I have ever seen.” (p. 178) So naturally I had to Google it. It is indeed beautiful. The reader might want to take a look. It’s very blue with some neat black trim and those incongruous red legs!Kolbert observes that we are creating a New Pangaea because our global transport systems are sending plants and animals all around the globe. Instead of the continents moving closer together the plants and animals are moving closer together as on a single continent. (p. 208)A joke: after the journal “Nature” published proof of the existence of the Denisovan hominids because of a DNA-rich finger found in southern Siberia, there came a newspaper headline: “Giving Accepted Prehistoric History the Finger.” (p. 253)As to the “controversy” over what killed off the megafauna in e.g., North and South America, in Siberia, in Australia, Kolbert minces no words and comes down strong on the likely suspect—us. And as for the Neanderthal, ditto. See chapters XI and XII.She writes: “Before humans finally did in the Neanderthals, they had sex with them.” She notes that “most people today are slightly—up to four percent—Neanderthal.” (p. 238) Personally, according to “23 and Me,” I am 3.8% Neanderthal. --Dennis Littrell, author of “Understanding Evolution and Ourselves”

In the excellent THE SIXTH EXTINCTION (TSE), Elizabeth Kolbert briefly discusses the so-called big-five mass extinctions, which had cataclysmic effects on earth’s biodiversity. These mass extinctions and their probable causes are the: End-Ordovician, glaciation; Late Devonian, volcanism; End-Permian, the warming of the oceans, the rampant proliferation of a bacteria that produced hydrogen sulfide, and a consequent greenhouse effect; Late Triassic, ocean acidification; and End-Cretaceous, a gigantic meteor collides with the earth.So, what is the sixth extinction and why is it different? The causes of the five previous mass extinctions were natural catastrophes. The sixth, in contrast, is man-made. And it is occurring now.As she discusses this sixth extinction, Kolbert, follows three narrative strategies. Mostly, she focuses each chapter in TSE on a particular animal that is extinct, on the verge of extinction, or that is becoming increasingly rare. Then, she examines the habitats and vulnerabilities of these animals and the human-induced causes of their decline or demise. These animals and the scourges to their existence include: the golden frog, a fungus, harmless to African frogs, that humans spread through the exigencies of pregnancy tests and fine-dining; great Auks, overhunting; corals, acidification of the oceans; North American brown bats, another fungus, this time originating with immune European bats; white-plumed antbirds, habitat fragmentation and a consequent reduction in army ant colonies, which is their primary food; and megafauna, such as the mastodon and Sumatran rhino, which are doomed by their long gestation periods and human predation.Meanwhile, her second strategy is to focus on environments. In this case, her subjects are: oceans, which are gradually becoming more acidic as they absorb the carbon humans generate through burning fossil fuels; and rain forests, which are losing species because of global warming.Finally, Kolbert examines the attempt by scientists to preserve species that are on the verge of extinction. Here, she visits a frozen zoo, where cells of threatened species are preserved in cryogenic fluid and thereby kept viable. And she discusses actual zoos that have breeding programs for rare animals.The blurbs on my edition of TSE observe that this book is “arresting, riveting, and powerful”. And they describe Kolbert’s writing as “masterful, surprisingly breezy, and engrossing.” All this is true and she gets the final word. “Today, amphibians enjoy the dubious distinction of being the world’s most endangered class of animals… But extinction rates among many other groups are approaching amphibian levels. It is estimated that one-third of all reef-building corals, a third of all fresh-water mollusks, a third of sharks and rays, a quarter of all mammals, a fifth of all reptiles, and a sixth of all birds are headed toward oblivion… If you know how to look, you can probably find signs of the current extinction event in your own backyard.”Highly recommended

I labored through the first 100 pages talking about how people started finding fossils and tried to figure out what they were based on their knowledge at the time, which wasn't much. Various theories emerged including Darwinism. It mentions pervious extinction events. I expected the book to be about our current situation; the disappearance of bees, birds and butterflies. The danger of exposures like electromagnetic frequency radiation from wifi, cell towers, high voltage power lines and 5G. The harm done by glyphosate, manmade food, and all the other things that are creating disease and death. I skipped to the last few pages (265-269) which briefly finally mentioned how "We're seeing right now that a mass extinction can be caused by human beings," but it doesn't get into much detail. Reading this book was a waste of my time. I don't plan to finish it.

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The Sixth Extinction: An Unnatural History rtf
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The Sixth Extinction: An Unnatural History Kindle

The Sixth Extinction: An Unnatural History PDF

The Sixth Extinction: An Unnatural History PDF

The Sixth Extinction: An Unnatural History PDF
The Sixth Extinction: An Unnatural History PDF